The buildings are placed within the map along Rosecrans Avenue, although we used artistic license by introducing a replica of the Audio Achievements Recording Studio at 1327 Cabrillo Ave. We cast each of the buildings as characters in the narrative. “The stadium floor cloth is printed from high-resolution aerial photographs of Compton, supplied by Google Earth, with more detailed photographs taken by a local helicopter pilot. Much of the lived experience which informs the music heard during the show has passed through Dre’s desk and hands.” The recording studio is Dre’s link and meeting point with all the other artists. Music was a refuge, and the recording studio was the place where painful experiences could be forged into music, poetry and a future. “Anyone who has watched Straight Outta Compton or listened to Kendrick’s story can begin to understand what it took for these artists to survive the streets of Compton in the ’80s, ’90s and 2000s. We knew the halftime would be taking place in daylight, which might suit sculpture or parade more than a light show.” Dre has just had his portrait painted by Kehinde Wiley for the Artists Inspired by Music: Interscope Reimagined exhibition at LACMA, and he was interested in approaching the Super Bowl as a narrative art installation as well as celebratory performance. Both Dre and Jimmy Iovine were drawn more to studio art installations than previous shows. “During our first Zoom meeting, we showed Dre a number of projects as examples of directions we could choose to take. Highlights include why it was so important to feature landmarks like Tam’s Burgers, Eve After Dark and the Compton Courthouse, the significance of ‘Dre Day’ cardboard boxes, and the reason the show opened with Dre in the studio: “The recording studio is Dre’s link and meeting point with all the other artists.” GLOBAL SPECTACLE AS ART INSTALLATION Blige, with surprise appearances from 50 Cent and Anderson.Paak, not to mention legions of dancers, a parade of lowriders and an overlay of the field that featured the full network of Compton streets.īelow, Devlin shares sketches and images with THR while detailing the creative process behind this year’s halftime show, seen by 112 million people and counting. The brightness of it all, they hoped, would translate well to a Hamish Hamilton-directed Super Bowl spectacle inside SoFi Stadium while the sun was still shining on headliners Dre, Snoop Dogg, Kendrick Lamar and Mary J. Devlin collaborated with production designer Bruce Rodgers to re-create buildings, businesses and vibes unique to Compton. SZA Caps Triumphant Return of Tyler, the Creator's Camp Flog Gnaw Carnival “He sensed that Compton would be another protagonist in the work and that we could etch a map of Compton on the global Super Bowl stage.” “Dre was immediately interested in the idea of ‘placeness,'” Devlin shares with The Hollywood Reporter. The piece, a reimagined model city map of the world that was on view at Pitzhanger Manor & Gallery in London’s Ealing neighborhood, plots the location of 73 millennia in significant shifts in human perspective. Dre during their first meeting to discuss this year’s Pepsi Super Bowl Halftime Show. Known for large-scale performative sculptures and set pieces, Devlin has worked with superstars like Beyoncé, Adele, Kanye West and The Weeknd on arena tours, collaborated with luxury houses Chanel and Louis Vuitton on installations and fashion shows, respectively, and has designed both the opening (Rio) and closing (London) ceremonies of the Olympics.īut it was a large-scale work titled Memory Palace that caught the eye of Dr. Fittingly, Dre has decided to conclude his three-act story not with the hilariously long-awaited Detox, but with Compton: A Soundtrack-a cinematic tribute to where the story first began.Es Devlin is an artist and designer, talents that can be distributed across many disciplines, and her website lists dozens of credits that show how far she has stretched. His music has always been more a chronicle of his journey than an ode to weed and sex, despite what many would think. and Eazy-E, one of the main reasons he elects to remind fans at every turn. For the majority of his career, Dre has seemed paranoid that the world will forget about the likes of him, the D.O.C. Years later, in the midst of various criticism, 2001 would function as a therapeutic rant session set to brilliant instrumentation. The iconic album cover is designed like a pack of rolling papers but most prominently features a portrait of a supremely self-assured Dre, wholly cognizant of how the music he's making will forever transform the genre. Dre relies on ghostwriters for his raps, but his decision to name his 1992 debut solo album The Chronic might be the most ingenious use of a double entendre in hip-hop history.
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